A Mindset Shift for Ballet Dancers Adapting to Idol Dance What Is Happening in Your Body Now Ballet training doesn't anatomically require "perfectly straight posture"; dancers deliberately build this rational "form" for aesthetic appeal. This form itself is by no means bad. But if you hold this physical habit for many years, your body learns to "stretch and fix the back" as its default state. Idol dance, in contrast, demands that you coordinate your whole body flexibly while using gravity ? this matters more than simply maintaining a beautiful posture. Consequently, the excellent techniques you acquired in ballet can sometimes overwork your body or work against you when you apply them to a completely different purpose. The human body naturally alternates between "joints that should move freely" and "joints that should provide stable support" (for example, the hip joints should move freely, the lower back should stay stable, the thoracic spine should move freely, and so on). But if you have a strong habit of stretching and fixing your torso, you underuse the hip joints and thoracic spine ? the very joints that should move freely. Meanwhile, your lower back, which should stay stable, ends up compensating for that missing movement. Keep this up, and your hip joints and thoracic spine will gradually stiffen. Constantly tensing and fixing your torso also disrupts the natural kinetic chain, where each part of your body moves smoothly with a slight time lag. When your spine moves as a single, rigid board, your arms and legs appear disconnected and awkward, as if they've separated from that board. This likely causes the phenomenon where "the silhouette looks beautiful, but the movements look stiff" or "the upper body looks unnaturally isolated from the core."
254.
名無しさん
YnGFO
Why Simply "Stopping the Stretch" Doesn't Solve the Problem Even if someone directly tells you to "relax more" or "stop stretching your back," this instruction merely becomes a new task you now have to try hard at ? and the tension often just shifts to another area, like your neck or shoulders. The same logic explains why few people can truly relax when someone simply tells them to "just relax." So instead of directly trying to "stop" doing something, I propose an indirect approach: change what you focus on entirely.
255.
名無しさん
YnGFO
Three Stages of Refocusing Your Mind 1. Focus on breath, not form Shift your focus from "maintaining posture" to "feeling tension inside your stomach without holding your breath." Rather than telling yourself to "tighten your stomach," try the more accurate cue: "feel your core while breathing continuously." Breathing does more than take in air ? it provides the rhythm that unifies the movements of your entire body. The fact that your breathing continues naturally shows that your torso isn't overly tense and that you're interacting with gravity effectively. 2. Focus on the core and supporting leg, not the limbs If you focus on your arms themselves to move them beautifully, this often makes your movements stiffer. Just as focusing on the tanden (the area just below the navel) stabilizes movement in martial arts, concentrating your awareness on the center of your body relieves unnecessary tension in your limbs and lets the movement radiate naturally from your core. When your weight naturally rests on the supporting leg that grounds this core, you can also use the ground reaction force more easily. Instead of swinging your arms and legs forcefully, you'll begin to feel a movement that originates from the supporting leg and connects naturally through the hip joints, torso, rib cage, shoulders, and finally the arms.
256.
名無しさん
YnGFO
3. Support only when necessary, rather than constantly tensing Your torso doesn't need to stay rigid with the same intensity at all times. Keep it flexible in general, and support it firmly for just a split second only when you truly need to ? such as when landing or striking a pose. The kime (decisive finish) technique in karate illustrates this well: you stay relaxed until the very last moment, then tense your whole body exactly at the moment of impact. This is a strategic use of timing. If you stay constantly stretched and rigid, you'll actually find it harder to create this decisive tension when it truly matters. Precisely because you can move flexibly, you can generate stability only at the moments you truly need it. What This Will Change When intra-abdominal pressure stabilizes your core, the hip joints and thoracic spine reclaim the work your lower back had been compensating for. At the same time, the flow of gravity that originates from your supporting leg transmits more easily throughout your whole body, transforming your torso from a "rigid board" into a "dynamic, supporting foundation." As a result, your arms and legs will no longer move as if detached from your torso ? instead, they'll move with a natural time lag within the flow of your entire body. You'll not only regain your natural range of motion; your whole body will also generate a proper degree of elasticity, and your breathing will spread effortlessly.
257.
名無しさん
YnGFO
The flexibility idol dance requires isn't simply about relaxing your muscles. It's the natural coordination and elasticity your whole body creates through the harmony of your supporting leg, gravity, and breathing. Movements born from such a body will convey not only visual softness but also a sense of vitality ? a "living body" ? to the audience.
http://www.dmm.com/lod/akb48
※前スレ
AKB公演配信実況その11
https://talk.jp/boards/akb48/1783134312
※18歳未満または加入後一年以内のメンバーを対象とする性的発言を禁止する
みんな怪しかったw
自信が本物になったらまた変わると思う
みんなそうか
とかもちろんただのオッサンなんで思い浮かぶわけないんだけど
例えば昔の中国の基礎教養の六芸(六つの分野の教養)とか参考にすると
礼(れい):マナー。
楽(がく):音楽や舞踊の技術。
射(しゃ):弓矢を射る技術。武道・
御(ぎょ):運転操縦技術。
書(しょ):書道。文章力。
数(すう):計算能力。
こういうジャンルの挑戦企画が良い方の評価を受けやすいと思う。
的な
まあどうでも良いish!
「AKB48 19期生昇格記念LIVE!~次の夏まで、ギンガムチェック~」
【出演メンバー】伊藤百花、奥本カイリ、川村結衣、大賀彩姫、近藤沙樹、丸山ひなた、髙橋舞桜、田中沙友利、牧戸愛茉、森川優、渡邉葵心
11にん
明日までに結論のようなものを出したい
なんならトモコレでもすぐに見つけられる
レスを書く上で重要なんだよ!
踊りやすいスタイルの良さ
きこちゃんくらいのスタイルが踊りやすいと思う
つまりこのスレの18歳ルール上セーフに!!!!
さっきのとは違う!!!
別のアプローチでよかった
まるちゃんも
余裕がありそうでなさそうな
銃ごと投げなさい
カイリに返したぞ!
てかなんの実況なんだw
現実世界の学校は崩壊してそうだけど
「RESET」公演
【出演メンバー】
久保姫菜乃・佐藤綺星・徳永羚海・成田香姫奈・橋本恵理子・正鋳真優・八木愛月・山内瑞葵
若い女の子が生き生きしてるってことはエロいってことだ!
今は初期と比べて格段にダンスがうまくなって
やっぱり強引な体の動かし方をしているw
まゆうがゴリラ
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表示するには、ログイン後に設定から変更してください。
やけくそで帽子投げて成功したまゆう
東京ドームでやるなら席によって値段が違うのも選択肢としてあろうし
おつ
「RESET」公演
【出演メンバー】
久保姫菜乃・佐藤綺星・徳永羚海・成田香姫奈・橋本恵理子・正鋳真優・八木愛月・山内瑞葵
城ケ崎さん?
What Is Happening in Your Body Now
Ballet training doesn't anatomically require "perfectly straight posture"; dancers deliberately build this rational "form" for aesthetic appeal. This form itself is by no means bad. But if you hold this physical habit for many years, your body learns to "stretch and fix the back" as its default state.
Idol dance, in contrast, demands that you coordinate your whole body flexibly while using gravity ? this matters more than simply maintaining a beautiful posture. Consequently, the excellent techniques you acquired in ballet can sometimes overwork your body or work against you when you apply them to a completely different purpose.
The human body naturally alternates between "joints that should move freely" and "joints that should provide stable support" (for example, the hip joints should move freely, the lower back should stay stable, the thoracic spine should move freely, and so on). But if you have a strong habit of stretching and fixing your torso, you underuse the hip joints and thoracic spine ? the very joints that should move freely. Meanwhile, your lower back, which should stay stable, ends up compensating for that missing movement. Keep this up, and your hip joints and thoracic spine will gradually stiffen.
Constantly tensing and fixing your torso also disrupts the natural kinetic chain, where each part of your body moves smoothly with a slight time lag. When your spine moves as a single, rigid board, your arms and legs appear disconnected and awkward, as if they've separated from that board. This likely causes the phenomenon where "the silhouette looks beautiful, but the movements look stiff" or "the upper body looks unnaturally isolated from the core."
Even if someone directly tells you to "relax more" or "stop stretching your back," this instruction merely becomes a new task you now have to try hard at ? and the tension often just shifts to another area, like your neck or shoulders. The same logic explains why few people can truly relax when someone simply tells them to "just relax."
So instead of directly trying to "stop" doing something, I propose an indirect approach: change what you focus on entirely.
1. Focus on breath, not form
Shift your focus from "maintaining posture" to "feeling tension inside your stomach without holding your breath." Rather than telling yourself to "tighten your stomach," try the more accurate cue: "feel your core while breathing continuously."
Breathing does more than take in air ? it provides the rhythm that unifies the movements of your entire body. The fact that your breathing continues naturally shows that your torso isn't overly tense and that you're interacting with gravity effectively.
2. Focus on the core and supporting leg, not the limbs
If you focus on your arms themselves to move them beautifully, this often makes your movements stiffer. Just as focusing on the tanden (the area just below the navel) stabilizes movement in martial arts, concentrating your awareness on the center of your body relieves unnecessary tension in your limbs and lets the movement radiate naturally from your core.
When your weight naturally rests on the supporting leg that grounds this core, you can also use the ground reaction force more easily. Instead of swinging your arms and legs forcefully, you'll begin to feel a movement that originates from the supporting leg and connects naturally through the hip joints, torso, rib cage, shoulders, and finally the arms.
Your torso doesn't need to stay rigid with the same intensity at all times. Keep it flexible in general, and support it firmly for just a split second only when you truly need to ? such as when landing or striking a pose. The kime (decisive finish) technique in karate illustrates this well: you stay relaxed until the very last moment, then tense your whole body exactly at the moment of impact. This is a strategic use of timing.
If you stay constantly stretched and rigid, you'll actually find it harder to create this decisive tension when it truly matters. Precisely because you can move flexibly, you can generate stability only at the moments you truly need it.
What This Will Change
When intra-abdominal pressure stabilizes your core, the hip joints and thoracic spine reclaim the work your lower back had been compensating for. At the same time, the flow of gravity that originates from your supporting leg transmits more easily throughout your whole body, transforming your torso from a "rigid board" into a "dynamic, supporting foundation."
As a result, your arms and legs will no longer move as if detached from your torso ? instead, they'll move with a natural time lag within the flow of your entire body. You'll not only regain your natural range of motion; your whole body will also generate a proper degree of elasticity, and your breathing will spread effortlessly.
あとちょっとで失敗して悔しがってた思い出がある
19期昇格コンで頑張っているいとももを応援したくなって一生懸命書いたんで誰か内容をいとももに伝えてくれ
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上手かった
この前は草津温泉の湯もみだったが
どれが正しいとかもないんだけどどう結果を将来につながるかというのといちいちファンが反対したからって止めるようなもんじゃない考えも多々ある
おつ
自分の中に物差しがないからその場の思い付きで人を動かそうとする
「AKB48 19期生昇格記念LIVE!~次の夏まで、ギンガムチェック~」
【出演メンバー】伊藤百花、奥本カイリ、川村結衣、大賀彩姫、近藤沙樹、丸山ひなた、髙橋舞桜、田中沙友利、牧戸愛茉、森川優、渡邉葵心
今日はきこちゃんの誕生日
無駄な抑揚もないし
真似した人たちが妙に癖強
ジェリービーンズとグミの違いが判らん
現役時代より
しかもオリメンがほぼファンが嫌いなメンバーと言う
そんなこと言ってたな
着替えが早いな
「ここからだ」公演
【出演メンバー】
新井彩永・太田有紀・小栗有以・工藤華純・倉野尾成美・黒須遥香・坂川陽香・千葉恵里・長友彩海・永野芹佳・橋本陽菜・福岡聖菜・正鋳真優・水島美結・山口結愛・山﨑空
何年目か知らんがw
あやねちゃんみたいに半年引っ張るとか?
デビュー当時っぽいと思ったの髪色のせいか
あまりきれいになるとエロさが薄まるからな!
そこは忘れないように
声出てただけ?
最初テーブルの話かと思った
特に左右の正中線‐外側の中間軸で上手く体を支えて難しい足の動きが出来ている
理由はそういうのが似合う年齢は思春期でやりきるのが恥ずかしいから
くたびれ果てて寝ているのか
昔で言ったらゼイラムとか
パッツンしてる?
あいちゃんが悪いw
おつ
「AKB48 19期生昇格記念LIVE!~次の夏まで、ギンガムチェック~」
【出演メンバー】伊藤百花、奥本カイリ、川村結衣、大賀彩姫、近藤沙樹、丸山ひなた、髙橋舞桜、田中沙友利、牧戸愛茉、森川優、渡邉葵心、白鳥沙怜(一部出演)
知ってるか
という表情のこさき
やっぱり声が良いとそれが個性になる
でも事務員の制服を着させたい
つまりマクドナルドはドナルドの息子という意味
踊ると分かる
またおなかが痛いとか?
もう寝ないといけないけど